Jan
30,
2012
We added six(!) amazing people to our team last year, which brings us up to thirteen. As I've got two days left in the first month of 2012, I thought I'd take a crack at welcoming our new collaborators in public. The studio has a longish history of encouraging its members to turn their personal interests in to commercially relevant opportunities—sometimes we even say that this is what Stamen is for—and I'm excited to see what kind of impact our newest colleagues are going to have on Stamen output in the coming weeks, months and (if I'm lucky) years.
Bill Conneely is our new head of Operations and Finance. Formerly at the New York Times, he brings us the ability to look at the studio from a business perspective and keep things running and growing smoothly. I've always sworn that Stamen will never have an HR department, and I intend to keep that promise—but a team of 13 people with health insurance who participate in a profit sharing arrangement needs more structure than I'm good at maintaining, and Bill is heading that process.
George Oates comes to us from Flickr, where she was head designer, by way of the Internet Archive. I'll continue to be involved in all our projects as Creative Director, but we've grown to the point where we needed a cracking Art Director to oversee the look of things, and George is the best I know.
Michael Evans is a familiar face from our close involvement with Code for America, who started life in our studio (which seemed awfully large at the time, though this is changing as we fill in and the plants get bigger). He's working closely with Stamen partner and CTO Mike Migurski on the technical infrastructures that make everything else possible, and we're looking forward to helping with his work on the Open311 Dashboard he pioneered at CfA.
Nathaniel Vaughn Kelso is our first professional cartographer. We've been familiar with his work at National Geographic and The Washington Post for some time now, and we're proud to be added to the list of sponsors of his amazing Natural Earth Project.
We've hired our first trained geometer, cryptographer and locigican in Rachel Binx. She's been blogging about her work on projects like the MTV twitter trackers at bit over at rachelbinx.com, has changed her hair color twice since we met her, and has us dancing around the studio interacting with the Kinect experiments she developed at the Art & Code festival at Carnegie Mellon.
And last but not least (this list is alphabetical), Zach Watson came to us after a stint at Seed Media Group. We were familiar with his work from a project he took on with Stamen alum Sha Hwang on the Center for Urban Pedagogy's Envisioning Development project, and he's been mapping up a storm on projects for the California Health Care Foundation and some projects that Tim O'Reilly got a sneak peak at the other day.
I'm thrilled about all this, as you can probably imagine. We're able to engage at a whole different level than we could even a year ago. On the whole it feels like we're a more, well, professional group than we've ever been, in the sense that the studio these days feel less like a couple of guys smoking cigarettes and drinking coffee in a room trying to figure out what to do next, and more like a real company that pays its bills on time and can think strategically about the present and the future. More of us are coming from places where this kind of work has been done before, people have actual qualifications to do math and cartography and art direction (unlike me), we have several people now who are familiar with the intense time demands of designing for a 24 hour news cycle.
My personal hope for 2012 is to better learn to get out of the way of this incredible group as it does its work, while continuing to lead the creative and business end of things. Having Bill and George, in particular, in Director-level positions means that there are even more parts of the business I can know are being handled, which frees me up to do more of what I like to do.
I'm really looking forward to it!
Continue reading "How we grew in 2011"
Jan
18,
2012
This last year was a busy one at the studio; good and full, but often busy enough that we were moving too fast to talk about what we did. Which is a shame, because I'm proud of all of it. Having spent the last week or so getting the screenshots together (and doing a few other things as well), I'm finally in a position to actually look at all of it in one place and gather some thoughts. As the number of projects we get involved with grows, it's getting harder to keep a handle on things! But lots of fun.
2011 was the year data visualization and custom mapping moved firmly into the mainstream of digital design work, and our client roster at least partially reflects this trend. We also saw two major museums recognize this kind of work, signaling a growing understanding that this work is moving from the realms of research into genre. Open source projects continued to be a major source of interest and value for our projects, client-facing and otherwise. And we took two first quiet steps into product design based on open data, both directly supporting the efforts of the mapping volunteers at Open Street Map, whose efforts are increasingly being seen as a reliable alternative to propietary geographic solutions. This kind of effort, where we can do good and earn money at the same time, is core to the studio's practice and I'm delighted to be able to still be in a position to support it, ten years on.
So without further ado, this is what we've been up to:
Oprah Winfrey Network: Oprah's Life Class
We designed and built an [interactive companion] to Oprah's return to network television, [Oprah's Life Class]. Class participants used Twitter to post answers to class questions, Oprah favorited the answers she liked the best, a live map showed participants the global nature of the event they were participating in, and Oprah used the piece during a series of live webcasts following the show.
FCC: Broadband Map of the US
[Broadbandmap.gov] collects internet connection data across the US. Funded by the FCC, the project lets viewers compare [connection type], [actual speeds versus those advertised], [availability compared to demographics], and other aspects of their broadband coverage. Working as a subcontractor to Computech, Inc. of Bethesda Maryland, we developed two of the maps found in the map gallery on the National Broadband Map website.
MapQuest: Map Equals Yes
We started off with Foodspotting data; investigating where people had posted food reviews. The project took a brief detour into replacing the names of places with the names of the most popular foods in those places—so "The Mission" became "Secret Breakfast Ice," and that was fun. Not every restaurant (or even city) has reviews, though and we started angling more towards images that showed where the data was instead of what the data was.
This turned into an interesting problem in its own right, and we ended up with maps of [where the buildings are, and only where the buildings are]. MapQuest's support of the OSM's XAPI makes it possible for others to do similar kinds of things with free public data, and the code for the project is open source and [freely available].
Paranormal Activity 3
A map and visualization letting people use Twitter to vote for which city they wanted Paranormal Activity 3 to be released early in. This was a whirlwind project with about a week from initial call to successful delivery, and one where all the [open source work we do] came in super handy. We designed a custom cartographic set (known as "spookymaps" in the studio), Houston took the prize for the highest number of tweets, and in the end PA3 turned out to be the top selling movie of the year.
Trip Advisor iPhone and Android Cartography
We developed artography designed specifically for Trip Advisors' apps for mobile devices, whose small size and high screen resolutions provide their own opportunities and challenges. These maps are themed to work with Trip Advisor branding & styling, and the typography reflects the neighborhood-by-neighborhood focus of their apps. The apps are available to [download from iTunes]
MixPanel Analytics
Live web analytics provider [MixPanel] asked us to provide visual design direction and implementation for a new product, User Activity Streams or Streams for short.
AirBnB
A set of maps for Airbnb.com, showing the explosive growth of the service since it started in 2008. Darker city blocks have less listings, brighter blocks have more. It's amazing to see how quickly some areas fill in as more and more people discover they can list their apartments—and to see which areas stay dark.
Walking Papers
[Walking Papers] saw continued use by the OSM community and was featured in two museum exhibitions this year: [Hyperlinks], at the [Art Institute of Chicago] and [Talk To Me] at [MoMA in New York]. We started working to extend the project for use in disaster relief scenarios (part of Mike's ongoing [Camp Roberts] adventures); more about this in the coming months.
National Geographic
Our first [iPad app], for National Geographic; an [interactive globe] of the world draped with NGS' iconic cartography; designed with the help of longtime Stamen collaborator [Ryan Alexander] (whose amazing [stereographic streetview] is lighting up the internets lately); one big wet sloppy kiss from Stamen to National Geographic's cartographers.
Knight News Challenge: CityTracking
The CItyTracking project is in mid-swing, with http://dotspotting.org seeing active use. This year we're going to pull the pieces together that we originally [started the project with]: Walking Papers v2, Crimespotting v2 (in particular tying Dotspotting to Crimespotting), Tile Farm (which is already live in [stealth mode] and has some [new tiles available on Mike's blog]), and continuing work on Dotspotting. Everything's [available for download on GitHub], and we gathered 40 planners and visualizers at the inaugural [Data Visualization and Cities] conference.
MTV
We covered three live awards show with MTV in 2011: the [Video Music Awards] and [Spike Awards] in Los Angeles, and the [European Music Awards] in Belfast. Some of the visualizations were straight up tweet volume trackers, others mapped celebrity tweets to where they were sitting in the venue, and others tracked interest in photographs of things like Beyonce's baby bump. Unfortunately, Rachel only [met David Hasselhof] at one of the shows, so we're going to try and work on fixing that in the coming year.
Video Music Awards, August
European Music Awards, November
Spike Awards, December
California Healthcare Foundation
We designed two maps for the [California Health Care Foundation], a group that works to improve access to health care information in the state. The first, [All Over the Map], tracks the relative rates of elective procedures like [heart surgery] and [knee replacements], and the second tracks the rates of [surgical site infections] across the state. We're continuing to explore the possibilities of custom cartography with this work; the size of town names, for example, are sized not by how large they are but by [how much surgery is happening there].
VPRO
A custom [cartographic and interactive suite] for Dutch broadcasting heavies [VPRO] (sort of a cross between Channel 4 in the UK and PBS in the US), to accompany the [Nederland van Boven] TV broadcast this year. The background maps are loosely based on the [toner cartography] we developed for the Knight News Challenge, with some snazzy additions (when did you ever see all-lowercase labels?) and icons as part of our continuing contribution to Nate Kelso's [Natural Earth project].
The Museum of Modern Art: Talk To Me
We designed and built the [online interactive bit] of the full-bore art and culture extravaganza that was the MoMA's [Talk To Me] show. Two Stamen projects, [Walking Papers] and [Prettymaps], were [ http://content.stamen.com/photos_from_the_moma_show part of] [the exhibition].
One.org
A data visualization for [One.org], tracking the G8 and EU's spending commitments to Africa. The site represents each member country as a [flag-filled circle], sized according to the relative size of that country's contribution.
Transit Maps for MIG
The [OneBayArea Travel Map] shows you approximately how far you can get from any point in the Bay Area by car, public transit, bike, or on foot, at [particular times of the day].
Mondo Window
[Mondo Window], a site for in-flight wifi-enabled travelers, lets you look out the window of a plane and know what you're seeing on the ground. The site has been growing and changing since we helped launch it in April and was written up in the [New York Times] earlier this year.
PrettyMaps on 20x200
Last year's prettymaps project saw a different kind of distribution than is usual for us: you can order physical prints of several of the maps on Jen Bekman's fabulous 20x200.com. The prints are sized according to price, making art affordable for almost everyone. The project benefits the Open Street Map community too; all profits are used to support the Humanitarian OpenStreetMap Team.
SoftCities: Custom Map Textiles
Our second foray into product design in 2011 took a more, well, tailored turn: SoftCities pulls open data together with fashion design and lets people buy blankets and napkins based on Open Street Map data. The most exciting part about all of this to me (aside from a percentage of the profits going to the Open Street Map project, and that I get to work with my wife Nikki Gunn on a project) is that people are now contributing to OSM specifically to have those roads and stores show up on tangible objects that they can see and hold.
All right, that's enough of that. Happy 2012, everybody!
Continue reading "What we did in 2011"
Dec
10,
2011
Aaaaaand, we're back, with another live twitter tracker, this time for MTV's Spike Awards, being held now in LA. Instead of celebrities, we're mostly tracking video game titles, and this means we can take a longer, leaner approach to the visuals than we normally can. And so: a full-width approach, with artwork from the games sized according to volume over time.
The interface gives a nod to the bzzzzt that shows up when something's wrong with the live feed in video games. The more you play with it, the worse this gets; kudos to MTV for letting us riff off of old video games in a presentation of this thoroughly modern phenomenon.
Continue reading "MTV Spike Awards, live Twitter Tracker"
Dec
7,
2011
It's been a productive couple of months here at the studio, so much so that it's been difficult to find the time to blog about projects as they happen. We've added some new people, for one thing, and started to really get our hands around the operations side of the business. Which is great—but I'm now sitting on a serious backlock of communicating about the work we've been doing, and it's time to change that. I'm going to try and tackle these one project at a time over the next couple of days; hopefully I'll be caught up by the time we close for the last two weeks in December.
In late September we published some work with the California Health Care Foundation, mapping variations in Elective Procedure Rates across the state. In English, this means we looked at how likely people are to do things like have their gall bladders removed—surgery that's not done to immediately save their lives—depending on where they live.
It turns out that, all other things being equal, that there's quite a bit of variability across the state, depending on procedure. CHCF adjusts for demographics in a given HSA (Hospital Service Area), factoring out things like the age and income levels of the people that live there. Oroville, for example, has more than twice the number of gall bladder removals done than the statewide average:
And in Clearlake, you're more than 5 times more likely to have heart surgery than in the rest of the state. This report was picked up by several media outlets; turns out that Clearlake has an overenthusiastic heart surgery department (in addition to a population that smokes and drinks too much), but even factoring in people's lifestyle choices, the numbers just leap off the map:
Other procedures are less dramatically different from area to area, but there's still some variation, and these maps can start to serve as entry points into more detailed and nuanced conversations about why health care is so different from one place to another, even in an area as relatively homogeneous as the Bay Area. The whole point is to kill less people, and getting a grasp on how procedures vary from place to place is a good way to move the conversation further down that road.
The cartography for the project is custom, a modification of GeoIQ's acetate design that we built for them earlier this year. The sizes of city labels on most maps you see are based on the number of people that live there. Using Dymo, a placement script for map labels, we've gently subverted this so that the size of the town names reflects the number of procedures done in that town. By this measure, you can see that Clearlake, a small rural area, is basically off the charts:
OK. Killing less people. More to come.
Continue reading "California Health Care Foundation"
Nov
30,
2011
Working closely with Dutch broadcasting heavies VPRO, yesterday we launched Nederland van Boven ("Netherlands from Above"), an interactive map of the Netherlands to accompany the forthcoming broadcast of a series of shows about this fascinating tiny country. As my friend Ben Cerveny is known to say: "New York started gentrifying in the 1970s, but Amsterdam started gentrifying in the 1790s," and the opportunity to design custom maps for a country that's essentially all infrastructure was one that we leapt at gladly.
The show runs in a series of episodes starting later this month, each addressing a different aspect of life in Holland. It starts with mobility, answering questions like "where can I live, if I work in Amsterdam and want to be able to finish the newspaper by the time I get to work on the train?" or "How far can I travel in two hours by public transport from Vlissingen?"
Upcoming episodes will deal with other ways of looking at the environment around you: examining the natural environment by comparing distances from buildings, open space, and the density of wild animals, the landscape of danger by examining rates of lightning strikes, flammable locations and the arrival times of ambulances, and the contours of the air around the country, looking at the density of birds, flght paths of planes and the highest places in the Netherlands.
The cartography for the project is custom-made for VPRO, designed to complement the channel's rich visual branding. Cities fill in based on a custom compilation we derived using a combination of NaturalEarthData and GeoNames sources, and and at lower zoom levels roads become visible and are drawn using data sourced from OpenStreetMap. On the most detailed zoom all roads are drawn and the arterial streets receive names. With roads come more place labels, now from OpenStreetMap and sized by population. Water bodies (black) are drawn using data from VPRO, as are park lands (black stipple pattern), airports, farm locations, pancake restaurants, neighborhood names, and zipcode shapes (the locations of pancake restaurants being as important to the Dutch as the locations of airports and farms, apparently).
The highlight layers are orange, because that's the national color of the Netherlands. Also, did you know that carrots are orange because that's the national color of the Netherlands; "in the 17th century, Dutch growers are thought to have cultivated orange carrots as a tribute to William of Orange – who led the the struggle for Dutch independence." So: orange maps over custom OpenStreetMap cartography, a client who wanted to tell a story and was willing to stretch what it means to design a map, and a country made of canals and land claimed from the sea. Hoera!
And now, on to the rest of the rainbow:
Continue reading "VPRO: Custom Cartography and The Netherlands From Above"
Sep
12,
2011
It's been a busy summer, and we've got a few things to share.
We're hiring a Developer
We're ready to hire again! If this is you, or someone like you, get in touch, wouldja?
Stamen's work is a creative fusion of design and technology, front-end and back-end. Behind the maps and visualizations in our projects are rivers and streams of changing information, and the practices supporting these flows are themselves in a state of constant change. We're looking for a candidate who can work with us in our San Francisco studio to advance the state of foundational technologies supporting the collection, processing and publication of big, live data, supporting a fast-paced client-focused production environment.
You'll be working with a small team of designers and engineers led by a creative director who will be looking to you to make their ideas feasible. You're excited by the possibility of cutting and bending data to fit it through the thin straw of the internet. You can look at a source of information and model it as resources, rows and columns, messages and queues. You have the programming experience necessary to write data processors and servers, the system administration experience to inhabit and actively guide a constantly-shifting technical environment of free & open source software, and the patience & grace to grant that PHP and spreadsheets might be appropriate tools when circumstances require the quick and the dirty.
You're up for the excitement of a continuous flow of new projects, and you're willing to try new things for the sake of learning and fun. You're able to work well with multiple inputs from a variety of sources: creative direction, technical direction, production expediency, and client feedback. You're friendly & courteous, good at finding ways to have fun under the pressure of deadlines, and you're OK with our carefully-selected and well-managed clients having the final say.
There are some other, somewhat similar positions posted at FlowingData, so if this sounds interesting I'd encourage you to check them out as well. More on the position at http://stamen.com/hiring_developer/.
MTV #VMA 2011
Shawn, Mike and Rachel headed down to LA for our third Video Music Awards project for MTV, a real-time Twitter visualization that was used alongside and within the live TV broadcast. One of the great things about working for MTV is that they're always looking to do innovative things with their projects. In this case that meant a few new things (aside from the complete visual re-design):
- we shifted the display technology from Flash to HTML5 (sorry, Adobe, we loved you long time)
- Paparazzi, which tracked the live popularity of retreated celebrity images, including Beyonce's by-now-legendary announcement of her baby bump, which quickly took over the whole of time and space
- since we knew what celebrities were there, where they were sitting, and what their twitter accounts are, we could build a Hot Seat visualization of who was saying what and when
- the work was used as a backdrop to the show on the main stage of the event
The visualization is online at http://vma-twittertracker.mtv.com/live/.
A nice side effect of using HTML5 is that the project works on mobile devices as well, which lent a nice bit of contrast to seeing the same designs on a 4" iPhone screen and a 40' high display in the Nokia Theatre in Los Angeles:
We Can Create, Auckland
In the middle of all this excitement I was on the other side of the planet in Auckland, New Zealand at We Can Create, a design conference put on by THECHURCH, talking about open data and exuberant cartography and iPad apps and all the usual goodness.
A highlight was being able to spend time with two of my long-time design heroes: Frank Kozik, whose amazing blend of punk rock and up-front commercial sensibilities puts him near the top of any list of designers to admire, and Thomas Roopert, whose amazing history with antirom and tomato (I know, right? how much cooler can you get) have landed him at a really interesting place taking advantage of the overlap between social media and television at the Rumpus Room. And meeting Morag Meyerscough and Eike König was a treat I won't soon forget; it was basically super fun to be in a room full of amazing design talent and dream about the future. I'm grateful in particular to THECHURCH for putting on such a classy show, you guys really have your act together.
State of the Map
Mike and Aaron spent this last weekend at State of the Map, the annual OpenStreetMap conference in Denver. You can take a look at Aaron's talk at http://sta.mn/hqk, and here are a couple memorable quotes from twitter about their talks:
schuyler: "If we held language to the same standard of accuracy as we hold maps, we would not have literature, humor, philosophy..."
StevenFeldman: "I don't want to live in a world where the pinnacle of our achievements are driving directions," says @thisisaaronland #sotm11 < Me neither
DeadlyiCoN@schuyler @thisisaaronland I can't imagine saying "this is one hilarious map!" and it being a good thing
http://twitter.com/#!/DeadlyiCoN/status/113006843177091072
Someone also seems to have used Soft Cities, my wife Nikki's new venture making custom blankets and napkins from OpenStreetMap data, in a slide at the conference, so if anyone out there knows who's presenting in this photo, would you let me know?
Mapumental:
Our friends at MySociety have gotten further along in making the Mapumental work that we did with them live-er, and are offering limited-edition prints and embeds of the travel time isochrone maps. It's been a long time coming, and working with Tom Carden on the ways in which the data and display layers fit together was a really foundational time for the studio which continues to resonate forward, so I'm delighted to see this project start to see some sunlight. Some samples of the maps:
And that's what's going on!
Continue reading "HQ2 Week 96"
Aug
25,
2011
The hurricane tracker we designed for MSNBC a few years ago has been pressed back into service, with Hurricane Irene barreling up the East Coast with 115mph winds lashing the sea just east of Fort Lauderdale:
The crazy thing (for me, an ex-New Yorker) is that it looks like they might actually get some pretty serious winds as far north as New York:
Continue reading "Come on, Irene"
Aug
18,
2011
The World, Stamen's first iPad app and our first project with the National Geographic Society, is available for download from Apple's app store today.
Yeah!
The heart of the app is a globe of (you guessed it) the world, with overlays of National Geographic's unmistakable cartography available for the different parts of the earth. Each of these maps can be layered over a reference, terrain or ocean globe, and you can mix and match the different styles as you like.
National Geographic has their act together in the map department, as you can imagine, and it was a great pleasure working with some of the best cartographers around (and classy too: I got a yellow border pin for my suit lapel as part of the deal). The maps are up to date, and just before launch we were glad to be able pull in a map for the newly formed Republic of South Sudan (which Google doesn't show yet on their maps almost a month later, nyah nyah):
NG's mapping style also allows for some really wonderful cartographic moments, like this example of Taumatawhakatangihangakoauauotamateapokaiwhenuakitanatahu spilling out into Hawke's Bay:
It's easy to lament the move to online and digital mapping as being a move away from the tactility of paper maps; to pine for a time when decisions about line weight and printing layers mattered. One of the great pleasures of working on this project has been that the app allows for investigation of the cartographic decisions that National Geographic's map makers made even beyond what would be available in print without a loop. Jess Elder, our project sponsor at the Society, agreed early on to supply us with maps that had been generated at a minimum of 600dpi and in some cases as high as 2400 dpi (paper maps are generally around 300dpi).
So without too much effort you wind up being able to really get in there and see the kinds of decisions that go into the distinctive nature of these maps:
There's alot else happening in the app—nations, maps, and pictures too, and especially the ability to tweet, mail and post screenshots directly to Facebook—but I'll save those for a later post. From my perspective the project is basically one big wet sloppy kiss from Stamen to National Geographic's cartographers.
This project wouldn't have happened without the hard work of Ryan Alexander on the 3d spinny map action and Zain Memon on the back end. We usually don't call out individual people at Stamen—we're a collaborative studio and everyone has their role to play in contributing to each project—but in this case I'd be remiss if I neglected to mention the hard work that Jeff Easter put in to both learning iOS from scratch and pulling the whole experience together.
You can download the app here.
Continue reading "The World by National Geographic is live"
Jul
20,
2011
One of the great things about Eric Fischer's map experiments on Flickr is that he actually takes the time to geolocate everything. So if he's making, say, a map of where people tweet vs where they upload photos in Montreal, the photo will tell you that it was taken in Montreal. Or if it's he's scanning a plan for the freeway design of South Valley Freeway, Highland Avenue to Day Road (1959), it'll actually be in between Highland Avenue to Day Road.
Which means we can make maps in Dotspotting that look like this:
Eric Fischer's 'See Something or Say Something' photos from Flickr on Dotspotting
And like this:
Trafficways Plan for Santa Clara County California, January, 1959 by Eric Fischer on Dotspotting
(thanks to Sha Hwang for providing the impetus for this post)
Continue reading "Eric Fischer's photos on Flickr"
Jul
20,
2011
There are three basic parts to working with online representations of urban civic data in Dotspotting: coallating the data, manipulating it, and then sharing and publishing it. Up until now we've been focused on the first two, which makes sense: obviously you need to be able to gather and work with the data before you can share it. Today we're announcing the inclusion of the project's most requested feature: embedding the maps that people make into sites of their own.
The "embed/export" feature has been reworked to include the ability to generate html code that you can configure to your own specs, depending on how your site is formatted. Basic embed code is available in default mode, which will generate a map that looks pretty much the way that it does on Dotspotting:
CALIFORNIA STATE PRISONS on Dotspotting
There are a couple of different options in embed; so for example you can swap out the normal toner cartography for Bing's new (awesome) map tiles:
CALIFORNIA STATE PRISONS on Dotspotting
We've been working with Mission Local, a news organization that reports on our home base of the Mission District, to find ways to take the lessons learned from the Crimespotting project and give this ability to local publications and advocates. The crime theme we've developed with them lets you generate maps that look like the one below, if you provide a "crime type" value in your data:
crime June 21st-28th updated on Dotspotting
And my favorite so far is the photo theme, which takes a 'flickr:id' or 'photo_url' field from your data (say, a set on flickr) and generates a visual mapping of where the photos are:
Dots on the pavement from flickr on Dotspotting
We're planning on releasing more of these as time goes by; if you've got ideas for a theme you'd like to see, please upload some data and get in touch!
Continue reading "Prisons in California, crime in the Mission, and Dots on the pavement: now with embed"
Jul
20,
2011
Aaron went to the opening of Talk to Me at MoMA last night, and sent back some lovely photosynths autostitches and photos of the event. I've been back here in San Francisco working on the exhibition website and other things so wasn't able to attend the opening, but I'm looking forward to seeing it when I'm in New York next week. In any event, some photos of Walking Papers and Prettymaps, in the show. Hooray!
Photos by Aaron.
Continue reading "Photos from the MoMA show"
Jul
19,
2011
We're pleased to be featured in a second design exhibition at the Museum of Modern Art in New York City, Talk To Me, curated by Paola Antonelli and opening to the press tonight.
Our team have two pieces in the exhibit: prettymaps, the open data yellow-and-green smorgasbord that we accounced last year, and Walking Papers, the Open Street Map-based project on display for a few more days at the Art Institute of Chicago. We also designed the accompanying website for the exhibit, currently availabile in beta at http://moma.org/interactives/exhibitions/2011/talktome.
Prettymaps:
Walking Papers:
Projects on the site are connected in a variety of ways: the curators have categorized the works into objects, maps, and double entendres, among other things, and numerous projects' curated categorisations overlap. The artists themselves are more or less connected in different ways: Aaron and Mike both work at Stamen, for example, and we have a strong set of interconnected twitter relationships with our friends at Berg and the Really Interesting Group, both with a presence in the show.
We decided to pull all these relationships into a single value: how related is this one project to others in the show, and by how much? And give the viewer the option to adjust how many related projects they wanted to see. Scrolling lets you decide whether you want to focus on the artwork in question, or have the rest of the catalog crowd in.
Communication Prosthesis:
The Big Red Button:
Objects View:
Rubiks Cube for the Blind:
Locals and Tourists:
Here and There:
Continue reading "MoMA's Talk to Me Exhibit goes live today"
Jul
7,
2011
Most online maps are designed to help you get around in a car. This generally means displaying: roads, businesses, buildings, on-ramps, parks, oceans and traffic congestion. Nothing wrong with that! Designers get handed a tool kit that has as many tools as a good swiss army knife, and the maps reflect these tools. Millions of people use them to make appointments across town, find restaurants, and drive home for the holidays.
But what if, instead of a swiss army knife, we used a box of crayons? Or charcoal and newsprint? Or play-doh? What would those maps look like? What could they tell us about the world?
Working with the smart people at MapQuest Open, we've put together a new set of interactive maps using OpenStreetMap data that explore this question. It's called "map=yes", and it has three objectives:
- To explore new possibilities for online mapping in a world of increasingly open data sources like Open Street Map, the world-wide Wikipedia for maps built by volunteers.
- To highlight the kinds of things that are possible now that MapQuest has committed to supporting their own OSM XAPI (pronounced "zappy"), or Extensive Application Programming Interface.
- To have fun! Maps that look like they came out of Sin City are rad, and there should be more of them.
London
San Francisco
Rome
Moscow
Continue reading "Map Equals Yes"
Jun
29,
2011
One of the central tenets of the Knight News Challenge grant for Citytracking was that the work would happen in public, and that we'd make the work public as we go. The project has been downloadable on GitHub for some time now, and will continue to be so, and we're announcing today the availability of the source files for Toner, the online cartographic style that underlies the project.
We're considering a few different options for hosting these tiles long-term; supporting a few hundred users is all well and good, but having the whole world hammer on a custom tile server is going to take some doing. Interested parties, please get in touch! The project needs your input.
In the meantime, here are examples of some of the world's tonier (see what I did there?) areas:
Golden Gate Park, San Francisco
Midtown Manhattan
Champ De Mars (Eiffel Tower), Paris
Champ De Mars (Eiffel Tower) 2, Paris
Tiergarten, Berlin
Cross-posted on PBS Idea blog
Continue reading "Dotspotting's Toner Cartography available for download"
Jun
17,
2011
Dotspotting.org is officially live with some new features and swanky new cartography.
Cross-posted on PBS Idea Lab
The project has been in a partially-completed stage for a few months now, and I've blogged about the project before. We've got a few new things to announce:
- The url is now http://dotspotting.org; no more of this stamen subdomain stuff
- The cartography is completely revised, with a severe black-and-white style we're calling toner, in a gentle nod to the halftone process that newspapers use (the project's funded by the Knight News Challenge after all). We've intentionally stripped back the level of detail at most zoom levels in favor of a style that lets the dots on top shine through, while hopefully remaining legible enough for lots of uses.
- We've torn the guts out of the uploading process, which was giving us no end of heartache, and rebuilt it from scratch. It turns out, much to my chagrin (and having been told this ad nauseum by various people at Stamen) that geocoding of is hard, dude and best left to the professionals. Another, less gentle way of saying this is that we've switched over from Yahoo's absolutely rassa-frassin' useless geocoding service and started using Google's amazing service, and so.
- We've also moved from a model where all of this was happening server-side, which is how we orignally had hoped things could work, to one where the process is split into two, distinct processes: first, we check to see what kind of data you're trying to submit, second, we try and turn it into geographically relevant data, and third, we run it through google's geocoder. My advice to anyone who is embarking on this kind of venture in future is simple: do not try and do this stuff server side unless you want to make it the core of your business. You will go down an endless rabbit hole and it will take you months to come out.
- We've changed the way we think about geocoding, after taking some hard knocks. Rather than trying to accommodate a kind of abstract geographic information space of addresses and file formats and latitudes and longitudes, we've decided to pick a few, representative set of data formats that are pegged to specific examples of data out in the real world, make it work for those, point people at those formats, and work backwards from there. All of the files that dotspotting can handle are now in a folder for people to browse, and the FAQ has specific examples of how to work with these files. I hadn't fully understood the complexities involved in geocoding different data formats, and that's meant that we had to hold things up for much longer than they needed to be. Mea culpa.
But it's live now, and we're working with a few different groups to make it even better, in the spirit of using real data to solve real problems. Onwards!
Continue reading "Dotspotting.org is live"
Jun
14,
2011
(please note: this position has been filled)
Stamen Design is an internationally-recognized leader in the design of mapping and data visualization projects, located in San Francisco's Mission District. We are engaged in an active process of growing our capacity and are looking to hire an Operations and Finance Director who can help the studio develop a thriving and sustainable model for growth, while maintaining the unique and innovative culture that has defined Stamen since 2001. We are always growing in one way or another, and we need a level head and a battle-seasoned operator to manage the operations side of our business so we can continue to deliver outstanding work for our clients.
Requirements and experience:
- Capacity to future-think, while maintaining the ability to operate in the present. This is a big thinking, set strategy kind of job. It's also a get down and dirty, call the client who hasn't paid their bill, fill out the Google Spreadsheet, and figure out why the bank password isn't working kind of job. We'll need you to design and own the processes you need to do great work.
- Prior experience in helping a service organization facilitate its way through growing pains while helping to hold the vision of where it is going as an organization. We are 12 people now and we need someone who understands what it means to be here. We want you to know enough about organizations like ours to be able to have an opinion about what we do.
- Ability to not only deliver at the operational level, but have the foresight to ask questions about what you see, in order to enable the studio to achieve its goals.
- A systems-driven hybrid who can relate to the operations of Stamen with phenomenal integrity for the people who work here. Attention to detail is essential for this job.
- Experience in how to leverage existing capacity within an organization and turn it into what we need to deliver on the other side.
- Possess a natural people sense, and understand how to translate the operational and financial to people.
Key responsibilities include the following:
- Financial planning and reporting, including monitoring and budgeting project revenues, costs and cash flows
- Accounts payable and accounts receivable
- Work closely with project managers to ensure scheduling and timely completion of all deliverables
- HR and staff-related activities
- Marketing and communications oversight
- Development of metrics to measure organizational and financial goals
- Design of feedback loops necessary to achieve team happiness and organizational effectiveness
- Proactively identify places that are problems, and proactive presentation of these issues. Manage the CEO's needs for reporting on all operations and finance-related aspects of the business
Qualifications:
- 5-10 years of operations and finance experience. An MBA would be nice but experience will count for more
- A deep interest and passion in design and technology
- Excellent writing and presentation ability, and critical thinking skills
- Proven ability to plan and execute resourcefully, with minimal supervision, and to work effectively in a fast-paced, dynamic environment
- Ability to thrive in a collaborative problem-solving environment while also working independently, juggling multiple priorities and deadlines, and accomplishing tasks on time
- Exemplary interpersonal skills
Compensation:
$ commensurate with experience.
Stamen pays full health and vision and dental for all our employees.
If this sounds like you, and you'd like to work with a group of interesting and interested people who are serious about what they do and how much fun they have doing it, please send your resume and a bit about you to jobs@stamen.com. No phone calls please
Continue reading "We're hiring an operations and finance director"
Jun
3,
2011
The OneBayArea Travel Map that we worked on with the good people at MIG, Inc is live at http://maps.onebayarea.org/, and shows you approximately how far you can get from any point in the Bay Area by car, public transit, bike, or on foot, at particular times of the day. You can filter your view by the travel time between areas, and the median price of homes in each area.
Stamen
Here's where you can get from Stamen in the morning, by public transit (Muni and BART), within 30 minutes (all of these images link out to the right configuration of the maps btw):
Your range is limited much further in the evening:
It turns out that you can get a lot further by bike. Note how the time of day doesn't matter here because bikes aren't limited by transit schedules or traffic congestion:
Let's say, though, that you were in the market for a home and wanted to know where you could buy that you could get to work by bike in a half an hour. Filtering out areas with homes averaging $500,000 or less cuts out a large swath of San Francisco:
If you're okay with a 45-minute bike ride, though, there may be a place for you a bit further down the peninsula:
Oakland
What if you're Mike, though, and you live in the East Bay? Here's where he can get by public transit in 30 minutes in the morning. Note how BART can get him to the Embarcadero or San Leandro more quickly than most of the areas between there and downtown Oakland:
If we crank up the travel time to 45 minutes, most of downtown San Francisco and the Mission become accessible:
Continue reading "MTC Travel Time maps are live"
May
25,
2011
We've just completed a mapping/data visualization project for One.org, the watchdog group that tracks the G8 and EU's spending commitments to Africa. The site represents each member country as a flag-filled circle, sized according to the relative size of that country's contribution. We track and display four variables for each country: percentage of total income, total dollar amount, amount to sub-Saharan Africa, and per-capita amounts. It's been interesting to spend time exploring the different aspects of this: from a amount given per-capita perspective Norway blows everyone else out of the water, but from a total dollars point of view they're actually quite small. The Norwegians, it appears, are generous, but poor. The urls change too as you interact with the piece, so if you want, say, to link to dollar amounts in 2005 you're all good.
Two things about the project:
- It was pretty strange working on a site where the client's name is "One." Eventually it got too weird to say "you've got a call with One at three" or "One just wants one more thing" so eventually we started calling the project "Garth" since that's who we were talking with most of the time.
- This was the first time we've worked with the excellent design team at Mule Design and I can't say enough good about them or recommend them strongly enough; what a lovely and professional bunch of people. Thanks Mule!
Continue reading "One.org data report is live"
May
6,
2011
Sometimes I wish I could be as disciplined as my friends at Berg, who've been faithfully writing up weeknotes rain or shine for 308 weeks now. These days it's a struggle to even participate in all the things that are going on around the studio, much less write about it. In my head sometimes we're still just a couple guys sitting in a room smoking cigarettes and staying up until five in the morning [really]. The reality is that we've been up at around the ten-person mark for a couple of years now, almost half of us are women, I quit smoking 2 years ago, and these days I'm much more likely to see 5 in the morning by waking up that early than by staying up that late! In any event it's Friday afternoon and I didn't want to let another week go by without talking about at least some of the work that's been going on, so:
We're doing a pile of thinking about the background tiles that are the foundation of most of the maps that people are working with on line today. There's a ton of room to play here. For a little context, one of the earliest experiments with embedding information into these background images we did was with a model of San Francisco provided to us by SOM a while back. The first render was a fairly conventional one, a grayscale view with shadows and so forth:
In the second render, you take the block and lot number of each building, and use those to generate different colors for the buildings:
When you overlay the first (image) on top of the second (data), you can do this kind of thing:
Selectively blurring and unblurring complex shapes on the fly, in the browser. And since you know the logic you used to generate the background color from the block and lot number, you can extrapolate back out from the color to the lot number, and provide links to the City Assessor's records for those buildings, without having to send all that data down the wire. Which is kind of cool. We've used this in a couple of client projects over the years, and are currently working on a mapping project that's going to rely on this kind of thing in a pretty big way.
I mention all of this by way of segue into the problem that starts to come up when you start wanting to do this for the whole world. It takes about 360 billion tiles to cover the whole world down to zoom level 20. Which is alot, especially considering that most of them are in the ocean.
So here are some lovely things that Aaron's been working on, in part to find a way to more easily limit the areas that the tiles have to get drawn for:
Each continent gets a set number of discontinuous shapes that it's allowed to be made up of, and depending on the number of those that are allowed (the second image allows alot more than the first), you can start to generate coastlines that designate areas where you probably don't need to render tiles at very zoomed in levels. Plus, as is usual with Aaron's stuff, it's fun to look at.
Continue reading "Goings on"
Apr
4,
2011
Stamen was featured in the New York Times business section yesterday. Like, the actual paper version of the paper, the one with the crossword puzzle (thanks John Poisson for the photo):
Three things are insanely great about this:
- We're there alongside industry smarties like Hans Rosling, Ben Shneiderman, and Jim Bartoo. This is good company.
- We got to draw some attention to our friends at MondoWindow, whose new site is totally kick ass.
- My mom called me yesterday and said that not only does she understand what I do now, she's also proud of me. Thanks, Mom!
Continue reading "Stamen in the New York Times"
